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A Country Song That Says Baby I Know Tthat I Need You So Please Don't Go

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Traditional blues standard

"Baby, Please Don't Go"
Baby, Please Don't Go Williams single cover.jpg
Single by Joe Williams' Washboard Blues Singers
B-side "Wild Cow Dejection"
Released 1935 (1935)
Recorded Chicago, October 31, 1935
Genre Dejection
Length 3:22
Characterization Bluebird
Songwriter(south) Traditional (J. Williams credited on tape)
Producer(s) Lester Melrose

"Baby, Please Don't Go" is a traditional dejection song that was popularized past Delta blues musician Large Joe Williams in 1935. Many comprehend versions followed, leading to its description as "ane of the most played, bundled, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.[i]

Afterwards Globe War II, Chicago blues and rhythm and blues artists adjusted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the pinnacle 10 on the R&B chart. In 1953, Muddy Waters recorded the song equally an electric Chicago-ensemble dejection piece, which influenced many subsequent renditions. By the early on 1950s, the song became a blues standard.

In the 1960s, "Babe, Please Don't Get" became a popular rock song later the Northern Irish gaelic grouping Them recorded it in 1964. Jimmy Page, a studio guitarist at the time, participated in the recording session, perchance on rhythm guitar. Later, Them's uptempo rock arrangement likewise fabricated it a rock standard. AC/DC and Aerosmith are among the rock groups who have recorded the song. "Baby, Please Don't Become" has been inducted into both the Blues and Rock and Coil Halls of Fame.

Background [edit]

"Baby, Please Don't Become" is probable an accommodation of "Long John", an old folk theme which dates dorsum to the fourth dimension of slavery in the United States.[1] Dejection researcher Paul Garon notes that the melody is based on "Alabamy Bound", equanimous by Can Pan Alley writer Ray Henderson, with lyrics by Buddy DeSylva and Bud Green in 1925.[2] [a] The vocal, a vaudeville show tune, inspired several other songs between 1925 and 1935, such as "Elderberry Greene Blues", "Alabama Bound", and "Don't You Leave Me Hither".[2] [3] These variants were recorded by Charlie Patton, Pb Abdomen, Monette Moore, Henry Thomas, and Tampa Red.[2]

Author Linda Dahl suggests a connection to a vocal with the same title by Mary Williams Johnson in the late 1920s and early on 1930s.[4] Nonetheless, Johnson, who was married to jazz-influenced blues guitarist Lonnie Johnson, never recorded it and her song is not discussed equally influencing later performers.[1] [three] [five] Blues researcher Jim O'Neal notes that Williams "sometimes said that the song was written by his married woman, vocalizer Bessie Mae Smith (aka Bluish Belle and St. Louis Bessie)."[3]

Original song [edit]

Big Joe Williams used the imprisonment theme for his Oct 31, 1935, recording of "Babe, Delight Don't Get". He recorded information technology during his get-go session for Lester Melrose and Bluebird Records in Chicago.[3] It is an ensemble piece with Williams on vocal and guitar accompanied by Dad Tracy on one-cord fiddle and Chasey "Kokomo" Collins on washboard, who are listed as "Joe Williams' Washboard Blues Singers" on the single.[3] Musical annotation for the vocal indicates a moderate-tempo fifteen-bar blues in 4
4 or mutual time in the key of B apartment.[vi] [b] As with many Delta blues songs of the era, information technology remains on the tonic chord (I) throughout without the progression to the subdominant (4) or dominant (V) chords.[vi] The lyrics limited a prisoner's anxiety almost his lover leaving before he returns habitation:[viii]

At present baby please don't become, now baby please don't go
Baby please don't go back to New Orleans, and become your common cold water ice cream
I believe at that place's a man done gone, I believe there's a homo washed gone
I believe there's a man done gone to the county farm, with a long concatenation on

The song became a hit and established Williams' recording career.[9] On December 12, 1941, he recorded a second version titled "Please Don't Go" in Chicago for Bluebird, with a more modern organisation and lyrics.[10] Dejection historian Gerard Herzhaft calls it "the nigh exciting version",[1] which Williams recorded using his trademark nine-cord guitar. Accompanying him are Sonny Boy Williamson I on harmonica and Alfred Elkins on fake bass (possibly a washtub bass).[xi] Since both songs appeared before recording industry publications began tracking such releases, it is unknown which version was more popular. In 1947, he recorded information technology for Columbia Records with Williamson and Bribe Knowling on bass and Estimate Riley on drums.[2] This version did not reach the Billboard Race Records nautical chart,[12] but represents a motion toward a more urban blues handling of the song.

Afterwards blues and R&B recordings [edit]

Big Joe Williams' various recordings inspired other blues musicians to record their interpretations of the vocal[13] and it became a dejection standard.[1] Early on examples include Papa Charlie McCoy as "Tampa Kid" (1936), Leonard "Baby Doo" Caston (1939), Lightnin' Hopkins (1947), John Lee Hooker (1949), and Big Bill Broonzy (1952).[14] By the early 1950s, the song was reworked in contemporary musical styles, with an early rhythm and blues/bound blues version by Billy Wright (1951),[ane] a harmonized doo-wop version past the Orioles (a number eight R&B hit in 1952),[c] and an Afro-Cuban-influenced rendition by Rose Mitchell (1954).[1] Mose Allison recorded the tune in his jazz-blues piano mode for the album Transfiguration of Hiram Brown (1960).[xv]

In 1953, Muddied Waters recast the vocal as a Chicago-blues ensemble slice with Little Walter and Jimmy Rogers.[16] Chess Records originally issued the single with the title "Turn the Lamp Down Depression", although the song is as well referred to as "Turn Your Lamp Downward Depression",[iii] "Plow Your Calorie-free Down Depression",[fourteen] or "Baby Please Don't Go".[d] He regularly played the song, several performances were recorded. Alive versions appear on Muddy Waters at Newport 1960 and on Alive at the Checkerboard Lounge, Chicago 1981 with members of the Rolling Stones.[17] AllMusic critic Beak Janovitz cites the influence of Waters' adaptation:

The almost likely link between the Williams recordings and all the rock covers that came in the 1960s and 1970s would be the Muddy Waters 1953 Chess side, which retains the same swinging phrasing equally the Williams takes, but the session musicians beef information technology up with a steady driving rhythm section, electrified instruments and Picayune Walter Jacobs wailing on blues harp.[18]

Van Morrison and Them rendition [edit]

"Baby, Please Don't Become"
BabyPleaseDontGo-Them.jpg
Unmarried by Them
B-side "Gloria"
Released
  • Nov six, 1964 (1964-11-06) (U.k.)
  • 1965 (US)
Recorded Oct 1964
Genre Blues rock
Length two:40
Label
  • Decca (UK)
  • Parrot (US)
Songwriter(s) Traditional (Williams credited)
Producer(southward) Bert Berns
Them singles chronology
"Don't Start Crying Now"
(1964) 		"Baby, Delight Don't Go"
(1964) 		"Here Comes the Night"
(1965)

"Baby Delight Don't Go" was 1 of the primeval songs recorded by Them, fronted by a 19-year-old Van Morrison. Their rendition of the song was derived from a version recorded by John Lee Hooker in 1949 every bit "Don't Go Infant".[xix] [due east] Hooker's song afterwards appeared on a 1959 album, Highway of Blues, which Van Morrison heard and felt was "something really unique and different" with "more soul" than he had previously heard.[19]

Recording and limerick [edit]

Them recorded "Baby, Delight Don't Become" for Decca Records in Oct 1964. Besides Morrison, there is conflicting information about who participated in the session. In addition to the group'due south original members (guitarist Billy Harrison, bassist Alan Henderson, drummer Ronnie Millings, and keyboard thespian Eric Wrixon), others take been suggested: Pat McAuley on keyboards, Bobby Graham on a second drum kit, Jimmy Folio on second guitar,[20] and Peter Bardens on keyboards.[21] As Page biographer George Case notes, "In that location is a dispute over whether it is Page's piercing blues line that defines the song, if he only played a run Harrison had already devised, or if Page simply backed upwardly Harrison himself".[22] Morrison has acknowledged Page'southward participation in the early on sessions: "He played rhythm guitar on i thing and doubled a bass riff on the other"[23] and Morrison biographer Johnny Rogan notes that Page "doubled the distinctive riff already worked out by Billy Harrison".[23]

Janovitz identifies the riff as "the backbone of the arrangement" and describes Henderson's contribution as an "amphetamine-rush, pulsing ii-note bass line."[18] [f] Music critic Greil Marcus comments that during the song's quieter middle passage "the guitarist, session player Jimmy Page or not, seems to be feeling his manner into another song, flipping half-riffs, high, random, distracted metal shavings".[24] [1000] Them'due south blues stone system is "at present regarded justly as definitive", co-ordinate to music writer Alan Clayson.[26]

Releases and charts [edit]

Decca released "Infant, Please Don't Get" as Them'southward second single on November 6, 1964.[20] With the B-side, "Gloria", information technology became their first hitting, reaching number ten on the UK Singles Chart in Feb 1965.[27] In the Us, the single was released by Parrot Records.[28] On March 20, Billboard mag first listed the song on its extended "Bubbling Nether the Hot 100" chart,[29] where it eventually peaked at number 102 on April 24.[30] The single fared better on the West Coast, where both songs appeared on weekly Peak forty playlists for Los Angeles radio station KRLA betwixt March and June 1965, reaching number one for three weeks in April.[31] [32] [33] Cash Box described information technology as "a funky, hard-driving pleader that the fellas rock out with telling effect".[34]

The song was not included on Them's original British or American albums (The Aroused Young Them and Them Over again), all the same, it has appeared on several compilation albums, such equally The Story of Them Featuring Van Morrison and The Best of Van Morrison.[35] When it was reissued in 1991 equally a single in the UK, information technology reached number 65 in the chart.[27] Van Morrison also accompanied John Lee Hooker during a 1992 performance, where Hooker sings and plays "Baby, Please Don't Go" on guitar while sitting on a dock, with harmonica backing by Morrison; it was released on the 2004 Come up See About Me Hooker DVD.[36]

AC/DC version [edit]

Angus Immature and Bon Scott at the Ulster Hall in August 1979

"Babe, Delight Don't Become" was a characteristic of AC/DC'due south live shows since their outset.[37] Although they take expressed their interest and inspiration in early on dejection songs,[38] music writer Mick Wall identifies Them's accommodation of the song as the likely source.[39] In November 1974, Angus Immature, Malcolm Young, and Bon Scott recorded it for their 1975 Australian debut album, High Voltage.[38] Tony Currenti is sometimes identified as the drummer for the song, although he suggests that it had been already recorded by Peter Ballyhoo.[forty] Wall notes that producer George Young played bass for almost of the anthology,[39] although Rob Bailey claims that many of the album's tracks were recorded with him.[41]

Loftier Voltage and a single with "Infant, Please Don't Go" were released simultaneously in Australia in Feb 1975.[41] [h] AllMusic critic Eduardo Rivadavia called the song "positively explosive".[42] Albert Productions issued it as the unmarried's B-side. However, the A-side "Dearest Song (Oh Jene)" was largely ignored and "Babe, Please Don't Get" began receiving airplay.[39] The unmarried entered the chart at the terminate of March 1975[43] and peaked at number 10 in April.[44] As well on March 23, 1975, 1 calendar month after drummer Phil Rudd and bassist Marker Evans joined Ac/DC, the group performed the song for the first time (this operation would besides be repeated on April 6 and 27, which is why at that place is ofttimes conflicting dates for this operation) on the Australian music program Countdown.[45] [46] For their appearance, "Angus wore his trade mark schoolboy uniform while Scott took the stage wearing a wig of blonde braids, a clothes, make-up, and earrings", according to author Heather Miller.[45] Joe Bonomo describes Scott equally "a demented Pippi Longstocking", and Perkins notes his "tattoos and a disturbingly short skirt."[38] Evans describes the reaction:

As soon as his vocals are near to brainstorm he comes out from backside the drums dressed as a schoolgirl. And information technology was similar a bomb went off in the articulation; information technology was pandemonium, everybody bankrupt out in laughter. [Scott] had a wonderful sense of sense of humour.[45]

Scott mugs for the photographic camera and, during the guitar solo/song improvization section, he lights a cigarette equally he duels with Angus with a green mallet.[46] Rudd laughs throughout the performance.[46] Although "Baby, Please Don't Go" was a popular part of Air-conditioning/DC's performances (oftentimes equally the closing number), the song was not released internationally until their 1984 compilation EP '74 Jailbreak.[38] The video from the Countdown prove is included on 2005's Family unit Jewels DVD compilation.

Aerosmith version [edit]

Aerosmith recorded "Babe, Please Don't Go" for their dejection cover anthology, Honkin' on Bobo, which was released on March 30, 2004.[47] The anthology was produced by Jack Douglas, who had worked on the group'south earlier albums, and reflects a return to their hard rock roots.[47] Billboard magazine describes the song every bit "the kind of directly-alee, hard-driving track that ever typified the band's [1970s] records".[48] Edna Gundersen of The states Today chosen their version a "terrific revival."[49] It was the offset unmarried to be released from the album and reached number seven on the Mainstream Rock Tracks chart.[50] A music video, directed by Mark Haefeli, was produced to promote the single.[51] Subsequently, the song has become a staple of the band'due south concert repertoire.[52] [53]

Recognition and legacy [edit]

"Baby, Please Don't Get" is recognized as a blues standard, including past French dejection historian Gérard Herzhaft [fr], who described it as "one of the nigh played, bundled, and rearranged pieces in blues history".[one] The Rock and Scroll Hall of Fame included Big Joe Williams' rendition in list of "500 Songs That Shaped Stone and Gyre".[54] In 1992, Williams' vocal was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category.[iii] Writing for the Foundation, Jim O'Neal noted that, in addition to various blues recordings, "the song was revived in revved-upwards fashion by rock bands in the '60s such every bit Them, the Amboy Dukes, and Ten Years After".[3]

In 1967, the Amboy Dukes recorded the vocal for their cocky-titled debut anthology. An anthology review mentions Them'due south version, merely adds that the Amboy Dukes' "Ted Nugent and the boys totally twist information technology to their betoken-of-view, even tossing a complete Jimi Hendrix [guitar line from "Third Stone from the Dominicus"] nick into the mix."[55] Released equally a single, it reached number 106 on Billboard 's extended "Bubbling Nether the Hot 100" chart.[56] In 1969, Ten Years After included some lyrics from "Infant, Delight Don't Become" during their functioning of "I'm Going Dwelling" at the Woodstock festival in Bethel, New York.[57] Alvin Lee'southward 10-minute guitar workout was a highlight of the event'southward 1970 documentary film,[58] which "would cement their reputation for decades to come up".[59]

Notes [edit]

Footnotes

  1. ^ An before "I'grand Alabama Bound", with its own recording history, was published by Robert Hoffman in 1909.
  2. ^ The sail music includes a 1944 copyright appointment, indicating a afterwards version of the song[7] (Williams' 1935 recording is in the key of B).
  3. ^ Music historian Larry Birbaum suggested that the Orioles' 1951 version inspired James Brownish's first hitting "Please, Please, Please" (1956).[5]
  4. ^ Muddy Waters' original Chess single lists the songwriters equally "Strutt, Alexander", although reissues credit "McKinley Morganfield" (his legal proper name). The song is registered as "Plow the Lamps [sic] Down Low" with Joseph Lee Williams equally the songwriter. ISWC T-070.278.618-two.
  5. ^ John Lee Hooker was listed equally "Texas Slim" on the single "Don't Go Baby" (King 4334).
  6. ^ Janovitz claims that Henderson's bass line "was subsequently lifted past Aureate Earring for 'Radar Dear'".[18]
  7. ^ Beginning near 1:22 in Them's recording, bassy-sounding riffs announced.[25]
  8. ^ The Albert Productions Ac/DC single misidentified the songwriter as Big Beak Broonzy.[41]

Citations

  1. ^ a b c d e f g h Herzhaft 1992, p. 437.
  2. ^ a b c d Garon 2004, p. 39.
  3. ^ a b c d due east f thousand h O'Neal, Jim (1992). "1992 Hall of Fame Inductees: "Baby Please Don't Go" – Big Joe Williams (Bluebird 1935)". The Dejection Foundation . Retrieved April 26, 2015.
  4. ^ Dahl 1984, p. 110.
  5. ^ a b Birnbaum 2012, p. 302.
  6. ^ a b Hal Leonard 1995, pp. 17–19.
  7. ^ Hal Leonard 1995, p. 17.
  8. ^ Gioia 2008, p. 130.
  9. ^ Herzhaft 1992, p. 381.
  10. ^ Demetre 1994, p. 23.
  11. ^ Demetre 1994, p. 29.
  12. ^ Whitburn 1988, pp. 444–445.
  13. ^ Escott 2002, p. 54.
  14. ^ a b Garon 2004, p. 40.
  15. ^ Greenwald, Matthew. "Mose Allison: Baby Please Don't Get, Composed by Large Joe Williams". AllMusic . Retrieved September 28, 2019.
  16. ^ Palmer 1989, p. 28.
  17. ^ Gordon 2002, p. 266.
  18. ^ a b c Janovitz, Bill. "Big Joe Williams: 'Babe Please Don't Go' – Review". AllMusic . Retrieved July 2, 2018.
  19. ^ a b Murray 2002, pp. 212, 302.
  20. ^ a b Thompson 2008, p. 303.
  21. ^ Strong 2002, eBook.
  22. ^ Case 2007, p. 35.
  23. ^ a b Rogan 2006, pp. 101, 111.
  24. ^ Marcus 2010, eBook.
  25. ^ Them (1964). Baby, Delight Don't Go (Song recording). London: Decca Records. Event occurs at 1:22. F.12018.
  26. ^ Clayson 2006, p. 61.
  27. ^ a b "Them – Singles". Official Charts . Retrieved April 26, 2015.
  28. ^ Billboard 1965a, p. 39.
  29. ^ Billboard 1965b, p. 24.
  30. ^ Billboard 1965c, p. 26.
  31. ^ Trounce 1965a, p. 4.
  32. ^ Beat 1965b, p. 4.
  33. ^ Beat 1965c, p. iii.
  34. ^ CashBox 1965, p. 18.
  35. ^ "Them: 'Babe Delight Don't Go' – Appears On". AllMusic . Retrieved September 28, 2019.
  36. ^ Viglione, Joe. "John Lee Hooker: Come and Come across Well-nigh Me – Review". AllMusic . Retrieved September 28, 2019.
  37. ^ Walker 2011, p. 135.
  38. ^ a b c d Perkins 2011, eBook.
  39. ^ a b c Wall 2013, eBook.
  40. ^ Fink 2014, p. 83.
  41. ^ a b c Walker 2011, p. 139.
  42. ^ Rivadavia, Eduardo. "Air conditioning/DC: High Voltage (Australia) – Review". AllMusic . Retrieved Apr 26, 2015.
  43. ^ Walker 2011, p. 145.
  44. ^ Walker 2011, p. 148.
  45. ^ a b c Miller 2009, eBook.
  46. ^ a b c Bonomo 2010, eBook.
  47. ^ a b Erlewine, Stephen Thomas. "Aerosmith: Honkin' on Bobo – Review". AllMusic . Retrieved April 26, 2015.
  48. ^ Billboard 2004, pp. 13, xv.
  49. ^ Gundersen, Edna (March 29, 2004). "Clapton, Aerosmith dabble in the blues". USA Today. Gannett Company. Retrieved July ane, 2015.
  50. ^ "Aerosmith: Chart History – Mainstream Rock Songs". Billboard.com . Retrieved September 28, 2019.
  51. ^ "Aerosmith: 'Infant Please Don't Become' Video Posted Online". Blabbermouth.net. May 20, 2004. Retrieved July ane, 2015.
  52. ^ Hauk, Hunter (August half-dozen, 2010). "Concert review: Aerosmith at Superpages.com Center". The Dallas Morning News. A.H. Belo. Retrieved July 1, 2015.
  53. ^ Stingley, Mick (October 14, 2010). "Aerosmith/The J. Geils Band – Concert Review". The Hollywood Reporter. Prometheus Global Media. Retrieved July i, 2015.
  54. ^ "500 Songs that Shaped Rock and Roll". Stone and Gyre Hall of Fame. 1995. Archived from the original on April 22, 2007. Retrieved April 26, 2015.
  55. ^ Viglione, Joe. "The Amboy Dukes – Review". AllMusic . Retrieved Jan thirty, 2022.
  56. ^ Whitburn 2008, p. 17.
  57. ^ Moore 2004, p. 81.
  58. ^ Jurek, Thom. "Woodstock – Review". AllMusic . Retrieved January 30, 2022.
  59. ^ Deming, Mark. "10 Years Subsequently – Biography". AllMusic . Retrieved January thirty, 2022.

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  • "KRLA Tunedex". KRLA Beat. April 21, 1965.
  • "KRLA Tunedex". KRLA Beat. April 28, 1965.
  • "Single Reviews – Nautical chart Specials". Billboard. Vol. 77, no. v. Jan thirty, 1965a. ISSN 0006-2510.
  • "Bubbling Nether the Hot 100". Billboard. Vol. 77, no. 12. March 20, 1965b. ISSN 0006-2510.
  • "Bubbling Under the Hot 100". Billboard. Vol. 77, no. 17. April 24, 1965c. ISSN 0006-2510.
  • "'Honk' if Yous Beloved Old Aerosmith". Billboard. Vol. 116, no. fourteen. Apr 3, 2004. ISSN 0006-2510.
  • "CashBox Tape Reviews" (PDF). Cash Box. January thirty, 1965. Retrieved January 12, 2022.
  • Birnbaum, Larry (2012). Before Elvis: The Prehistory of Rock 'n' Scroll. Lanham, Maryland: Scarecrow Printing. ISBN978-0-8108-8629-ii.
  • Bonomo, Joe (2010). Ac/DC'southward Highway To Hell. Usa: Bloomsbury Publishing. ISBN978-1441141583.
  • Case, George (2007). Jimmy Folio: Magus, Musician, Man – An Unauthorized Biography. Hal Leonard. ISBN978-1-4234-0407-1.
  • Clayson, Alan (2006). Led Zeppelin: The Origin of the Species. Chrome Dreams. ISBNone-84240-345-1.
  • Dahl, Linda (1984). Stormy Weather condition. Proscenium.
  • Demetre, Jacques (1994). The Prewar Blues Story 1926–1943 (CD compilation booklet). Various artists. Best of Blues. OCLC 874878605. All-time of Dejection 20.
  • Escott, Colin (2002). B.B. King: The Vintage Years (Box set booklet). B.B. King. UK: Ace Records. OCLC 52004950. Ace ABOXCD eight.
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  • Garon, Paul (2004). "Baby Delight Don't Get/Don't You Leave Me Hither". In Komara, Edward (ed.). Encyclopedia of the Dejection. New York City: Routledge. ISBN978-1135958329.
  • Gioia, Ted (2008). Delta Blues (Norton Paperback 2009 ed.). New York City: W. West. Norton. ISBN978-0-393-33750-ane.
  • Gordon, Robert (2002). Can't Be Satisfied: The Life and Times of Muddy Waters. Boston, Massachusetts: Petty, Dark-brown. ISBN0-316-32849-ix.
  • Hal Leonard (1995). "Babe Please Don't Go". The Blues. Milwaukee, Wisconsin: Hal Leonard. ISBN0-79355-259-1.
  • Herzhaft, Gerard (1992). "Baby, Please Don't Go". Encyclopedia of the Blues. Fayetteville, Arkansas: University of Arkansas Printing. ISBNone-55728-252-eight.
  • Marcus, Greil (2010). When That Rough God Goes Riding: Listening to Van Morrison. PublicAffairs. ISBN978-1-58648-821-5.
  • Miller, Heather (2009). Air-conditioning/DC: Difficult Stone Ring. Enslow. ISBN978-0766030312.
  • Moore, Allan F. (2004). "The Contradictory Aesthetics of Woodstock". In Bennett, Andy (ed.). Remembering Woodstock. New York City: Routledge. ISBN978-0-7546-0714-4.
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Source: https://en.wikipedia.org/wiki/Baby,_Please_Don%27t_Go

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